Due to the recent seizure of megaupload.com by the FBI, most of my (legal) files  (under EU law where this blog originates and in accordance with the Copyright Act of 1976, 17 U.S.C. § 107) are no longer accessible.


I feel that the U.S. Government/the FBI is TOTALLY ABUSING its powers by negating CITIZENS OF FOREIGN COUNTRIES the right to use a LEGAL SERVICE THEY HAVE PAID FOR!!!!


I have heard that EF (Electronic Frontier Foundation) is helping to get U.S. users to get their legally stored Megaupload files back (if they're still on the servers) -- but what about international users?


Is there any way to sue the FBI for not allowing me to use a (legal) service I have paid for, with hard-earned money?

Various Artists, "Saturday of Folk Music", Riverside Church, New York, NY, July 29, 1961

Recently, I came across two CDs of amateur recordings from the July 29, 1961 "Saturday of Folk Music", broadcast on WRVR, New York, NY.


Whoever had the foresight to record this for posterity, did it with amateur equipment off the air -- there is a fair amount of interference and the reel-to-reel recording was stopped, whenever the taper seemed not to be interested in an artist. Upon restarting, the beginning of songs are cut frequently, as the taper did not manage to push the button on time -- so, quite a few songs are fragments only.

Moreover, this is from a tape labeled "Part 2" -- other tapes have not been located so far, although they might exist, based on the following clue from my detective bag:

-- The performance of a yet unsigned Bob Dylan from that date (featuring Danny Kalb and Ramblin' Jack Elliott) is NOT part of the tape labeled "Part 2" (as Dylan's performance is in circulation for quite a long time, there could be other tapes including his performance and that of others somewhere).


I have no idea, unfortunately, about the sequence of performers during this 12-hour marathon, but have included (unsigned) Bob Dylan's performance for the sake of (temporary) completeness.

Kick back, relax, and enjoy a certainly less-than-perfect historical audio document of an event half a century ago, where Suze Rotolo started flirting with Bob Dylan and where Bob might have first met Len Kunstadt and Victoria Spivey, leading to his recording session with Victoria and Big Joe Williams....


For your convenience, I have transcribed Robert Shelton's review of this event (New York Times, July 31, 1961):

FOLK MUSIC HEARD ON 12-HOUR SHOW
WRVR-FM Program Marks Start of 'Live' Project

A marathon program of folk music was run on Saturday to initiate the live music project of the city's newest FM radio outlet. Aside from a few pauses to identify station WRVR, the sound of ballads, blues, banjos and bouzoukis was heard from 9 A. M. to 9 P. M.

From noon on, the "festival" was held in the theatre of Riverside Church before a vociferously appreciative audience. The co-producers, Israel G. Young and Bob Yellin, rounded up more than fifty volunteer performers, of whom only a handful fell below a general high level of competence. No one was paid for his efforts, but the success of the program may serve to remind commercial radio and television stations that there is a largely untapped reservoir of zealous city folk musicians ready, willing and able to perform.

Although there were enough lapsv [SIC] of broadcasting practices during the day to gray a studio official's hair, the musical proceedings moved along with pace and variety and relatively few arid patches.

Commentary by Kunstadt

The segment on the blues, probably the day's best portion, was given shape by the commentary of Len Kunstadt, a jazz historian with a flair for aphorism and enthusiasm.

He introduced a series of singers—Bob Fox, Bruce Langhorne, Dave Van Ronk, the Rev. Gary Davis and Victoria Spivey —who touched on every aspect of the genre — traditional and commercial, sacred and profane, sad and even happy blues. Miss Spivey, whose recording career began in 1926, had as her accompanist on "St. Louis Blues" W, C. Handy Jr., son of the song's composer.
An exotic interlude of music from the Middle East was provided by local Greek and Turkish performers organized by J. R. Goddard and introduced by Cynthia Gooding in a section on foreign music. The Turkish songs of Saliha Tekneci were sinuous and haunting. The oud-playing of George Mgrdichian was dancingly rhythmic and tonally beautiful. And a taxim, a free improvisation on the bouzouki by Thomas Athanasiou, was inventive and pulsing.

The more-familiar banjo had its moments, too. Paul Cadwell is an old-school florid technician with a bag of virtuoso tricks, and John Cohen demonstrated traditional country styles. The flashy pyrotechnics of Scruggs-picking were offered by Roger Sprung, Marshall Brickman and Mr. Yellin.

Sandy Bull Performs

But it fell to a young music-J theory student, Sandy Bull, to really plumb the depths of creativity on the "primitive" folk instrument. Mr. Bull is equally at home in Southern mountain and blues styles, but his tonal richness, technical mastery and imagination excelled in his own explorative banjo transcriptions of a canon by William Byrd and Orff's"Carmina Burana," no less.

Among the newer promising talents deserving mention are a 20-year-old latter-day Guthrie disciple named Bob Dylan, with a curiously arresting mumbling, country-steeped manner;
John Wynn, a polished, poised tenor whose art-song approach to balladry was impressive; Tom Paxton, a Western singer with' an obvious potential as a songwriter, and Buddy Pendleton, a country fiddler of rare vintage.

It would be impossible to list every high point during the day, but some old friends did
have  their innings.  Among them were Logan English's tart topical song on the Washington Square    ruckus    and    John Herald's alfalfa-flavored sacred, song, "We Need a Whole Lot, More of Jesus and a Lot Less Rock 'n' Roll."

The personable stage manner of Molly Scott, the hand-clapping gospel rousers of Brother John Sellers and Herman Stevens, and the antics of Rambling Jack Elliott were other pleasing moments.

There were few big-name performers to give glamour to the proceedings, but the talent
and exuberance of so many dedicated musicians made the day one to remember.

ROBERT SHELTON.

CONTENTS OF TAPE LABELED "PART 2": 

Ramblin' Jack Elliott
01   San Francisco Bay Blues
02   How Long Blues
03   Hard Traveling
04   Talking Fisherman
ß5   I Belong to Glasgow
06   Cocaine

07     unknown Turkish singer  & 08 another unknown (??? - sounds like French) singer

John Wynn 
09   Preamble
10   Man Is For The Woman Made
11   Let Me Go With You
12   Little Boy How Old Are You?
13   Low And Sweet

Herman Stevens of the Stevens Gospel Singers 
14   He's Wonderful
15   He's Got The Whole World In His Hands

16   Station break

17   Bruce Langhorne 
Don't Take Everybody To Be Your Friend

18   Anne Bird
Anchored In Love
Anne Bird & Logan English
19  Sun's Gonna Shine In My Back Door Someday
20  Storms Are On The Ocean
21  Till I Return Again
22  Knoxville Girl

Logan English 
23  Barbara Allen
24  Kitty Alone
25  Washington Square Music Permit Blues

John Herald & The Greenbriar Boys
26  Down The Road
27  Stewball
28  Instrumental
29  We Need A Whole Lot More Of Jesus And A Lot Less Rock And Roll 

Reverend Gary Davis
01  Salty Dog instrumental
02  Instrumental
03  Instrumental

Dave Van Ronk
04  Death Letter Blues
05  Green Green Rocky Road
06  Hoochie Coochie Man
07  Poor Lazarus
 
Victoria Spivey 
08  Introduction by Len Kunstadt
09  Satan Get Down Below
10  My Man Caught Me Wrong
11  Intro to Saint Louis Blues
12  Saint Louis Blues with W.C. Handy Jr.

Tom Paxton 
13  Springhill Mine Disaster
14  Pepperfoot
15  The Train for Auschwitz
16  Sully's Pail
17  Going To The Zoo
18  John Birch Society
19  Pastures Of Plenty

Rosanne Cash on her father's list of "100 Essential Songs" and Bob Dylan's "Girl From The North Country" (2009)

Rosanne Cash, in conversation with Daniel J. Levitin, WGBH, Boston, MA,  on her father's (Johnny Cash's) list of "100 Essential  Songs" and  Dylan's "Girl From The North Country" (Oct. 21, 2009):

Elizabeth Cotten captured live in the 1960s

Found a wonderful YouTube channel with what seems to be 1960s blues and folk concerts from (most likely) KCTS, Seattle, WA.

I think that these priceless performances should be shared as widely as possible.

So, as my first offering, this is Elizabeth "Libba" Cotten (correct spelling) demonstrating her rather unique guitar style (playing a regularly strung guitar left-handed) with songs like "Freight Train":









For my own archive, I have combined both parts and converted them to Divx (200 MB).

From Bob Dylan's Private Record Collection - Blind Boy Fuller (1935-1940)

In a tribute to Suze Rotolo earlier this year, Jeff Gold (of recordmecca.com) posted pictures/scans of two items from Dylan's personal record collection (folk blues on the European/Dutch Philips label, acquired from Suze) on his own (highly recommended) blog.

Jeff commented:
"To me, these were talismanic objects, filled with the music we now know inspired Dylan so much.  When I asked Rotolo by email why Dylan had written on his albums, she told me that it was similar to making notes in the margins of books for him.  Later I realized at the point he annotated these, he had only been going by the name Bob Dylan for perhaps a year and a half--in fact, he had only legally changed his name in August, 1962--three months before buying these.  It's almost as if he was seeing how his new name fit alongside those of these legendary artists."

I have tried to recreate one of these albums from more recent sources/transfers in my own collection -- most tracks should be superior sound/quality than that of the original -- basically "bootleg" -- album, which Bob Dylan acquired during his first trip to London, England, in late 1962 (possibly at Dobell's Record Shop in Charing Cross Road, where he contributed providing back-up vocals and harmonica for an album by Richard Farina and Eric Von Schmidt).

Please note Bob Dylan's comments on the original sleeve: 
"Drinked up and let out by Bob Dylan" 
 -- one song from this compilation
("Step It Up And Go") was covered by Bob on his 1992 album "Good As I Been To You".

Full recording details in ID3 tags:
01 She's a Truckin' Little Baby 
02 Screaming and Crying Blues
03 Big Leg Woman Gets My Pay
04 I Want Some of Your Pie
05 Cat Man Blues
06 Been Your Dog
07 Hungry Calf Blues
08 Mojo Hidin' Woman                        
09 Piccolo Rag
10 Lost Lover Blues
11 Night Rambling Woman
12 Step It Up and Go                                                        
13 Keep Away from My Woman      Since I'm not aware which take of this track has
14 Keep Away from My Woman      been used for this compilation, I've included both.
15 Little Woman You're So Sweet                                     
16 My Brownskin Sugar Plum                                             
17 Evil Hearted Woman      

R. I. P. Pinetop Perkins (1913-2011)

Bob Dylan and The Clancy Brothers & Tommy Makem - HAPPY SAINT PADRAIG'S DAY!

A few connections between Bob Dylan and The Clancy Brothers & Tommy Makem --
HAPPY SAINT PATRICK'S DAY!!!!


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